Tetard - Two 4-Candle Antique French Louis XVI 950 Sterling Silver Candelabra + Storage Wraps, Museum Quality

Direct from Paris: A stunning pair of original 950 sterling silver Louis XVI 4-candle candelabra in superb condition by one of France’s premier silversmiths "Tetard Frères", and includes two anti-tarnish storage wraps for easy storage - circa early 1900s.  The art of French silversmithing during the 19th century represents one of the most refined and sophisticated periods in the history of decorative arts. This era, marked by the transition from neoclassicism to eclecticism, saw the rise of numerous workshops that pushed the boundaries of craftsmanship, design, and technical innovation. Among these, the Parisian firm Tetard Frères emerged as one of the most distinguished silversmithing houses, celebrated for its exceptional quality, intricate artistry, and prestigious clientele. The firm’s reputation was built upon its mastery of high-grade sterling silver, particularly its use of the luxurious 950 standard, as well as its ability to create pieces that balanced functionality with breathtaking ornamentation. One of their most iconic creations, the four-candle candelabra in 950 sterling silver, exemplifies the height of their technical skill and artistic vision.

Excellence in Silversmithing:  The origins of Tetard Frères can be traced to early 19th-century Paris, a city that was then the epicenter of luxury craftsmanship and artistic innovation. The firm was established during a period of great transformation in French decorative arts, influenced by the aftermath of the French Revolution and the rise of the Napoleonic Empire, which revived interest in opulent and imperial aesthetics. Tetard Frères quickly distinguished itself from competitors by adhering to the highest standards of silversmithing, employing only the most skilled artisans and utilizing superior materials. 

Beyond their technical prowess, Tetard Frères was known for their stylistic versatility. Their work reflected the evolving tastes of the 19th century, from the restrained elegance of the Empire style to the more exuberant and naturalistic designs of the Rococo Revival. This adaptability ensured that their creations remained fashionable among the elite, who demanded both timeless beauty and contemporary sophistication. The firm’s output included a wide range of objects, from tea and coffee services to elaborate centerpieces and, most notably, their magnificent candelabra, which became symbols of wealth and refinement. 

Innovative Craftsmanship: The silversmiths at Tetard Frères were masters of both traditional and innovative techniques, blending time-honored methods with creative approaches to design. Each piece was meticulously crafted by hand, with particular emphasis on repoussé, a technique in which metal is shaped by hammering from the reverse side to create intricate relief designs. This method allowed for the creation of dynamic, three-dimensional motifs, such as scrolling foliage, mythological figures, and elaborate floral arrangements, which were hallmarks of their work. 

Chasing, another critical technique employed by the firm, involved refining the details of a repoussé design by working on the front surface with finely crafted tools. This process added depth and texture, enhancing the visual appeal of each piece. Engraving was also a vital component of their craftsmanship, used to inscribe delicate patterns, monograms, or dedications that personalized objects for their aristocratic owners. The combination of these techniques resulted in silverware that was not only functional but also a testament to the artistic vision of its creators. 

A particularly noteworthy aspect of Tetard Frères’ work was their ability to balance ornamentation with practicality. Unlike some silversmiths who prioritized decorative excess, the firm ensured that every embellishment served a purpose, whether in reinforcing the structure of a piece or enhancing its aesthetic harmony. This philosophy is evident in their candelabra, where the curvature of the arms, the weight distribution of the base, and the placement of decorative elements were all carefully considered to create a piece that was as stable as it was beautiful. 

The production of their renowned four-candle candelabra, for example, required not only artistic skill but also engineering precision. The central column had to support the weight of the arms and candles without bending, while the base needed sufficient heft to prevent tipping. The firm achieved this through a combination of expert metalwork and thoughtful design, often incorporating weighted cores within the base that were concealed beneath ornate silver shells. Such innovations demonstrated their ability to merge form and function seamlessly. 

Awards and Accolades: Throughout the 19th century, Tetard Frères participated in several prestigious industrial exhibitions, where their work was consistently met with critical acclaim. These exhibitions, particularly the Exposition Universelle held in Paris in 1855, 1867, and 1878, were platforms for the finest artisans and manufacturers to showcase their creations to an international audience. The firm’s participation in these events not only elevated their reputation but also provided opportunities to attract high-profile commissions. 

At the 1867 Exposition Universelle, Tetard Frères received a silver medal, a significant honor that recognized their contributions to the decorative arts. Their display likely included a range of their most exceptional pieces, such as intricately designed tea sets, opulent centerpieces, and, of course, their sterling silver candelabra. The jury, composed of art critics, fellow craftsmen, and members of the aristocracy, would have evaluated their work based on criteria such as technical skill, innovation, and aesthetic appeal. The fact that Tetard Frères was awarded a medal speaks to their standing as one of the leading silversmithing firms of the era. 

Beyond these grand exhibitions, the firm also garnered recognition through more specialized competitions and salons. Their pieces were frequently featured in luxury catalogs and were sought after by private collectors and institutions alike. The accolades they received were not merely ceremonial; they had tangible benefits, reinforcing the firm’s prestige and driving demand among the elite. 

Serving European Royalty:  The prestige of Tetard Frères was further cemented by their association with European royalty and aristocracy. French nobility, particularly during the Second Empire under Napoleon III, had a profound appreciation for fine silverware, and the firm was among the select few workshops entrusted with creating pieces for the imperial household. Empress Eugénie, known for her refined taste and patronage of the arts, was a particularly influential client whose preferences helped shape trends in luxury craftsmanship. 

In addition to French royalty, Tetard Frères’ work found favor among the Russian imperial court, where French silver was highly prized for its elegance and sophistication. The firm’s candelabra and other decorative objects were likely displayed in the grand palaces of St. Petersburg and Moscow, serving as symbols of wealth and cultural refinement. The international appeal of their work was a testament to their ability to transcend national boundaries and cater to the tastes of a diverse and discerning clientele.  The firm’s connections with aristocracy extended beyond commissions; many of their pieces were gifted as diplomatic presents or as part of dowries, further enhancing their prestige. The presence of Tetard Frères silver in royal inventories and estate records underscores their importance in 19th-century luxury markets. 

950 Sterling Candelabra:  Among the most celebrated works of Tetard Frères is their four-candle candelabra, a masterpiece of 19th-century silversmithing that embodies the firm’s technical mastery and artistic vision. These candelabra were not merely functional objects but were designed to serve as focal points in the grand interiors of aristocratic homes, reflecting the wealth and sophistication of their owners.  The design of these candelabra typically featured a central column adorned with intricate motifs, often inspired by nature or classical mythology. The arms, which extended gracefully from the stem, were carefully proportioned to ensure balance, both visually and structurally. Detachable bobeches, or drip pans, were a common feature, allowing for easy maintenance while also adding an additional decorative element. 

One of the most remarkable aspects of these candelabra was their use of asymmetry, a characteristic of the Rococo Revival style that was particularly popular in mid-19th-century France. Unlike the rigid symmetry of earlier neoclassical designs, Tetard Frères’ candelabra often incorporated dynamic curves and organic forms, creating a sense of movement and vitality. This stylistic choice reflected broader trends in decorative arts, where there was a growing preference for more fluid and expressive designs. 

From a technical standpoint, the production of these candelabra was a complex process that required advanced metallurgical knowledge. The high silver content (950) meant that the metal was softer and more malleable than standard sterling, necessitating expert handling to prevent warping or cracking during shaping. The firm’s silversmiths employed raised construction techniques, where the candelabra was built from multiple hammered and soldered components rather than cast as a single piece. This method allowed for greater detail and a lighter overall weight without sacrificing durability. 

The Tetard Legacy:  Today, Tetard Frères’ candelabra are highly sought after by collectors and museums. Their rarity, combined with their historical significance, makes them prized acquisitions at auctions. Pieces bearing the Tetard Frères hallmark - typically a signature stamp with the firm’s name and the Minerva head (the French silver standard mark) - command premium prices, often exceeding tens of thousands of dollars depending on condition and provenance.  Tetard Frères remains one of the most illustrious names in 19th-century French silversmithing, a firm whose work epitomized the fusion of artistry and technical excellence. Their 950 sterling silver candelabra stand as enduring symbols of their craftsmanship, admired for their beauty, functionality, and historical importance. Through their award-winning exhibitions, royal patronage, and unwavering commitment to quality, Tetard Frères secured a permanent place in the annals of decorative arts. 

For collectors and historians alike, their pieces are not merely antiques but testaments to a golden age of silversmithing, where every hammer stroke and engraved line reflected a dedication to perfection that continues to inspire admiration centuries later. The legacy of Tetard Frères serves as a reminder of the enduring value of craftsmanship and the timeless appeal of objects created with both skill and passion. 

Set Specifications:  This amazing set of candelabra is a stunning example of the fine workmanship and quality for which the firm was internationally acclaimed.  Each piece is stamped on the base with the French Government's Head of the Minerva 1 hallmark certifying a minimum of 950 sterling silver in addition to the Tetard Frères' manufacturer's sterling silver hallmark, and each comes with its own anti-tarnish wrap for easy storage.

Candelabra #1 stands approximately 28.00 cm. high, is roughly 25.00 cm. across and weights 1,145 grams.   Candelabra #2 also stands approximately 28.00 cm. high, is roughly 25.00 cm. across and weights 1,145 grams.