Puiforcat Cardeilhac 182 piece antique French sterling silver flatware set
Direct from Paris:
A stunning 182-piece antique sterling silver
flatware set by two of France’s premier silversmiths “Puiforcat”, currently
owned by Hermes, and “Cardeilhac / Christofle”, Silversmith to the King – circa
late 1800s. The set is a complete service for 12 and includes extra dinner
forks, Mother-of-Pearl handled dessert knives with vermeil blades, a set of
vermeil teaspoons, silver plate knife blade rests and individual storage trays.
The 19th century marked a golden era for French decorative arts, particularly in
the realm of silversmithing. Among the most celebrated houses of this period
were Puiforcat and Cardeilhac, whose names became synonymous with uncompromising
quality, technical innovation, and aristocratic elegance. These ateliers did not
merely produce functional silverware; they created enduring works of art that
reflected the highest achievements of French craftsmanship. Their pieces graced
the tables of emperors and kings, won accolades at international exhibitions,
and set standards that continue to influence luxury metalwork today.
Puiforcat’s Early Years:
The story of Puiforcat begins in 1820 when
Jean-Baptiste Fuchs established his silversmith workshop in Paris. Initially
operating under the name Fuchs et Compagnie, the firm underwent a significant
transformation when it was acquired by Emile Puiforcat in the 1840s, from whom
it derived its enduring name. Under successive generations of the Puiforcat
family, the maison developed a distinctive style that blended rigorous technical
precision with artistic innovation.
By the late 19th century, Puiforcat had established itself as the silversmith of
choice for discerning European aristocracy. Their clientele included not only
French nobility but also wealthy industrialists and international collectors who
appreciated the firm's ability to create both traditional and avant-garde
designs. The maison's participation in major international exhibitions,
including the 1867 Paris Exposition Universelle, brought its creations to a
global audience and cemented its reputation for excellence.
The Evolution of Cardeilhac:
The Cardeilhac legacy began slightly earlier
than Puiforcat, with Jean-Baptiste Cardeilhac establishing his workshop in 1802
during the Napoleonic era. The firm quickly distinguished itself through its
exceptional technical mastery and sumptuous designs that captured the grandeur
of French Empire style. Cardeilhac's rise to prominence reached its zenith
during the Second Empire when it became the official supplier to Napoleon III's
court. Cardeilhac's workshop
employed the most skilled artisans in Paris, many of whom had trained in the
traditional guild system. Their specialty lay in creating elaborate table
services that combined functionality with breathtaking artistry. The firm was
particularly renowned for its mastery of repoussé work, where silver was
ornamented with intricate floral motifs, mythological scenes, and architectural
elements hammered from the reverse side.
What made Cardeilhac's work exceptional was its attention to proportion
and balance. Each piece in their flatware services was designed to feel perfect
in the hand, with carefully calculated weight distribution that made even the
most ornate designs practical for daily use. The firm's account books reveal
commissions from nearly every European royal house, with special services
created for state occasions and diplomatic gifts.
Technical Mastery & Innovative Techniques: The
workshops of Puiforcat and Cardeilhac were centers of technical innovation where
centuries-old traditions met modern manufacturing techniques. Both firms
maintained the highest standards of craftsmanship while developing new methods
that pushed the boundaries of what could be achieved in silver.
Their craftsmen developed specialized tools for different effects - from
the subtle matte grain of their "satiné" finish to the dramatic fluted patterns
seen in their Art Deco pieces. The firm also pioneered new methods for
silver-gilding, creating two-tone effects that became highly fashionable in the
late 19th century.
Cardeilhac, meanwhile, perfected the art of precision casting, allowing for
incredibly detailed sculptural elements in their flatware handles and
hollowware. Their engraving department employed techniques adapted from
jewelry-making to create miniature masterpieces on spoon bowls and fork
shoulders. Perhaps most impressive was their development of weighted hollow
handles - a construction method that gave their pieces substantial heft without
making them unwieldy. Both firms
maintained rigorous quality control, with each piece undergoing multiple
inspections before receiving the maker's mark. The process from raw silver ingot
to finished tableware could take weeks or even months for particularly elaborate
services, reflecting an uncompromising commitment to perfection.
Royal Patronage & International Acclaim:
The prestige of Puiforcat and Cardeilhac was
inextricably linked to their royal clientele, whose patronage served as the
ultimate endorsement of quality. These connections began with the French
imperial court but soon extended across Europe's aristocratic networks.
Puiforcat counted among its clients King Louis-Philippe and later
supplied extensive services to the Russian Imperial family. Their work for the
Romanovs included special traveling sets with custom-fitted cases, demonstrating
their ability to combine luxury with practicality. The firm's reputation reached
across the Atlantic as well, with commissions from American millionaires during
the Gilded Age. Cardeilhac's
imperial connections were even more direct, serving as official purveyor to
Napoleon III's court at the Tuileries Palace. The firm created monumental
centerpieces and elaborate dinner services for state occasions, many featuring
the imperial eagle motif. Their work for foreign royalty included a spectacular
service for the King of Portugal that incorporated precious stones and enamel
work.
Both firms were regular participants in international exhibitions, where they
competed for prestigious awards. The 1851 Great Exhibition in London saw
Cardeilhac awarded a Council Medal for a magnificent épergne that demonstrated
unprecedented technical complexity. Puiforcat's triumphs included gold medals at
both the 1867 and 1900 Paris Expositions, where their modernist designs
attracted particular attention from progressive collectors.
The Golden Age of Flatware:
The 19th century witnessed the apogee of
formal dining culture, and with it came unprecedented demand for luxurious
flatware services. Both Puiforcat and Cardeilhac rose to this challenge,
creating services that represented the pinnacle of the silversmith's art.
Puiforcat's flatware designs evolved through several distinct phases.
Their early 19th century services followed Neoclassical lines, with slender
stems and restrained decoration. By mid-century, they had developed more
sculptural forms, often incorporating naturalistic elements like vine leaves and
wheat sheaves. The firm's late 19th century Art Nouveau pieces featured flowing
organic forms that seemed to grow from the table itself.
Cardeilhac maintained a more formal aesthetic throughout the century, with
services that reflected the grandeur of the French Empire style. Their flatware
handles often featured intricate allegorical scenes or architectural motifs
rendered in miniature. The firm was particularly known for its "service complet"
- comprehensive sets that might include up to 100 different piece types, each
designed for a specific culinary purpose.
What distinguished both firms' flatware was the exceptional quality of
their 950 silver. This higher purity allowed for sharper detail in casting and
engraving, while also giving the pieces a distinctive warm glow. The weight and
balance of each piece was carefully calculated - a well-made fork should feel
substantial but not heavy, with the weight distributed to make cutting
effortless.
The Association with Hermès:
The 20th century brought changes to the world
of luxury silver, culminating in Puiforcat's acquisition by Hermès in 1993. This
merger of two French luxury traditions ensured the survival of traditional
silversmithing techniques into the modern era.
Hermès has maintained Puiforcat's heritage while introducing
contemporary designs. The maison continues to produce flatware using the
original techniques, with some pieces still made by hand in the traditional
manner. Recent collections have reinterpreted classic Puiforcat patterns for
century tastes 21st, while maintaining the uncompromising quality
that made the originals so prized.
The Enduring Artistry of French Silver:
The
stories of Puiforcat and Cardeilhac represent more than just the history of two
luxury firms; they reflect the broader narrative of French decorative arts. In
an age before mass production, these ateliers maintained standards of
craftsmanship that seem almost unimaginable today. Each piece they created was
not merely an object, but a testament to centuries of accumulated skill and
artistry. What makes their 19th
century flatware services particularly significant is how they embody the
cultural values of their time. These were objects designed for ritual - for the
ceremony of dining that was so central to aristocratic and bourgeois life. The
care with which each fork was balanced, the thought given to how a spoon would
feel in the hand - these considerations speak to a worldview that valued sensory
experience and social connection.
Today, as we rediscover the importance of craftsmanship and sustainability, the
work of Puiforcat and Cardeilhac takes on new relevance. Their pieces were made
to last generations, to be repaired rather than replaced, to develop character
with use rather than deteriorate. In this sense, these 19th century silversmiths
might be seen as pioneers of what we now call slow design - the antithesis of
today's disposable culture. For
collectors and connoisseurs, Puiforcat and Cardeilhac pieces represent the
ultimate in silver collecting. Each service tells a story - of the craftsmen who
made it, the patrons who commissioned it, and the meals it has served. In an
increasingly digital world, these tangible connections to history and
craftsmanship become ever more precious.
Set Composition:
This is a magnificent 182-piece flatware set
and is a testament to the quality and craftsmanship for which the firms were
international known. The dinner
knives and luncheon knives bear the Cardeilhac sterling silver manufacturers
hallmark in addition to the French government’s Head of the Minerva 1 hallmark
and the knife blades are stamped “Cardeilhac / Christofle”.
The vermeil blades on the Mother-of-Pearl handled dessert knives bear the
“PF” manufacturer’s hallmark. The vermeil teaspoons are also from a different
manufacturer and earlier period. The
remaining sterling pieces bear the Puiforcat sterling silver manufacturer’s
hallmark in addition to the French government’s Head of the Minerva 1 hallmark.
The set includes the following (all weights and measures approximate):
12 Dinner Knives - Stainless
Blades C 24.80 cm.
106 grams
12
Dinner Forks 20.70 cm.
99 grams
12
Extra Dinner Forks
20.70 cm.
99 grams
12
Tablespoons 21.00 cm.
101
grams
11
Luncheon Knives - Stainless Blades C
20.50 cm.
72 grams
12
Luncheon / Dessert Forks
17.00 cm.
49 grams
12
Luncheon / Dessert Spoons
17.00 cm.
54 grams
12
Dessert Knives - Mother of Pearl Handles and Vermeil Blades 18.50 cm. 31
grams
12
Fish Knives
21.30 cm.
73 grams
12
Fish Forks
17.30 cm.
59 grams
12
Ice Cream Spoons
13.80 cm.
34 grams
18
Tea / Coffee Spoons
11.70 cm.
28 grams
12
Teaspoons in Vermeil (different unidentified)
15.00 cm.
17 grams
12
Knife Blade Rests - Silverplate 8.20
cm.
22 grams
1
Cake / Pie Serving Knife
C 26.00
cm.
140 grams
1
Cheese Serving Knife C
21.50 cm.
63 grams
2
Large Serving Spoons
25.70 cm.
143 grams
2
Sauce Serving Ladles
18.80 cm.
95 grams
1
Large Soup / Stew
Serving Ladle
31.00 cm.
247 grams
1
Ice Cream Serving Scoop
24.80 cm.
115 grams
1
Pie Serving Knife
26.00 cm.
123 grams
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