Puiforcat Hermes 19th century antiqeue French sterling silver serving tureen
Direct from Paris: A stunning, 
large 3pc. covered Louis XVI, antique 950 sterling silver vegetable server with 
presentation platter by the world's premier French silversmith – Emile 
Puiforcat. The illustrious history of French silversmithing finds one of its 
most refined expressions in the work of Puiforcat, a maison whose creations 
represent the pinnacle of luxury and craftsmanship from the early 19th century 
to the present day. Established in Paris in 1820 by Jean-Baptiste Fuchs, who 
later adopted the name Puiforcat from his mother's family, the firm quickly 
distinguished itself through its exceptional interpretations of Louis XVI style 
silverware, particularly in the creation of magnificent serving tureens that 
embodied the perfect synthesis of neoclassical aesthetics and technical 
perfection. Their Puiforcat's unparalleled craftsmanship in 950 sterling silver 
tureens, the royal and aristocratic patronage that elevated its status, the 
prestigious awards that recognized its excellence, its significant association 
with the luxury house Hermès, and the defining characteristics that made its 
Louis XVI style serving pieces among the most coveted examples of French 
silverwork are unparalleled in the world of decorative arts.  
Focus on Quality: 
The foundation of Puiforcat's supremacy in 
tureen production lies in its uncompromising commitment to material quality and 
stylistic purity. The firm's insistence on using 950 sterling silver, a higher 
purity than the standard 925 sterling, resulted in pieces with a distinctive 
luminosity and resonance that became hallmarks of Puiforcat's production. This 
superior silver content, composed of 95% pure silver alloyed with 5% copper, 
presented particular technical advantages for the creation of Louis XVI style 
pieces, allowing for sharper definition of classical motifs and greater 
durability in large serving vessels. The workshop's master craftsmen employed 
traditional techniques including hand-raising, chasing, and planishing to 
transform these precious sheets of metal into flawless neoclassical forms, with 
a single tureen often requiring more than 200 hours of skilled labor to 
complete. The process began with the careful formation of the oval body, 
hammered into shape from a single sheet of silver to ensure perfect symmetry and 
structural integrity, followed by the meticulous application of decorative 
elements that characterized the Louis XVI style.
Puiforcat’s Louis XVI Style: 
Puiforcat's interpretation of the Louis XVI aesthetic for its 19th century 
tureens demonstrates both remarkable fidelity to 18th century prototypes and 
subtle innovations that reflected evolving dining customs. The basic form 
remained true to classical principles - oval bodies with straight or slightly 
flared sides, delicately fluted surfaces, and restrained ornamentation drawn 
from ancient Greek and Roman sources. However, Puiforcat introduced technical 
refinements that enhanced functionality without compromising visual purity. The 
firm developed a specialized hinge mechanism for the domed lids that allowed for 
smooth, one-handed operation while maintaining an airtight seal to preserve food 
temperature and aroma. The interiors were typically gilded using a mercury 
process that created a durable gold surface, protecting delicate sauces from 
direct contact with silver while creating a striking visual contrast when the 
tureen was opened during service. This attention to both form and function 
resulted in pieces that were as practical as they were beautiful, capable of 
withstanding the rigors of daily use in aristocratic households while 
maintaining their impeccable appearance.
Serving European Royalty: 
Royal and aristocratic patronage played a 
crucial role in establishing Puiforcat's reputation as a premier silversmith. 
The firm's Louis XVI style tureens found particular favor among European 
nobility who appreciated their perfect balance of classical restraint and 
luxurious materials. King Louis-Philippe commissioned several important services 
from Puiforcat, including a magnificent pair of tureens for the Tuileries Palace 
that featured discreet fleur-de-lys motifs incorporated into their neoclassical 
decoration. The Orléans family, known for their refined taste, became steady 
patrons, as did numerous members of the Russian aristocracy who frequented Paris 
during the 19th century. Tsar Nicholas I acquired a complete dining service that 
included four monumental tureens, each decorated with different classical themes 
representing the seasons. These royal commissions not only validated Puiforcat's 
artistic merit but also served as powerful advertisements, attracting wealthy 
clients from across Europe and America who sought to emulate aristocratic taste.
Awards & Accolades: 
International exhibitions provided Puiforcat 
with prestigious platforms to showcase its mastery of the Louis XVI style. The 
Great Exhibition of 1851 in London featured a pair of tureens that demonstrated 
the firm's exceptional skill in executing classical ornamentation with 
machine-like precision while maintaining the warmth of hand craftsmanship. The 
Paris Exposition Universelle of 1855 included tureens with innovative heat 
retention features hidden within their elegant forms - copper liners that could 
be preheated without affecting the exterior silver surfaces. These exhibitions 
earned Puiforcat numerous medals and critical acclaim, with judges particularly 
praising the purity of its designs and the perfection of its finishes. The 
firm's success at these events translated into commercial triumph, with waiting 
lists for commissioned pieces often stretching several years as discerning 
clients sought to acquire Puiforcat's creations.
Association with Hermes: The 
association between Puiforcat and the luxury house Hermès, which began in the 
early 20th century and culminated in Hermès acquiring the brand in 1993, 
represents a significant chapter in the firm's history. This partnership brought 
Puiforcat's silversmithing tradition under the umbrella of one of France's most 
prestigious luxury brands, ensuring the continuation of its craftsmanship while 
introducing new technical and design innovations. Hermès maintained Puiforcat's 
commitment to the Louis XVI style while incorporating modern functional 
improvements, creating pieces that remained true to their historical roots while 
meeting contemporary expectations. The collaboration resulted in limited edition 
tureens that combined Puiforcat's silversmithing expertise with Hermès' 
legendary attention to detail, creating objects that appealed to collectors of 
both traditional silverware and modern design.
Puiforcat’s Louis XVI Tureens: 
The construction of Puiforcat's Louis XVI style tureens reveals remarkable 
technical sophistication beneath their elegant surfaces. The oval form, while 
aesthetically pleasing, presented significant engineering challenges that 
Puiforcat's craftsmen solved through innovative solutions. The long sides were 
reinforced with internal ribs to prevent warping under the weight of contents, 
while the short ends were carefully weighted to ensure balance when serving. 
Handles, often shaped as classical foliate motifs or fluted loops, were 
ergonomically designed to provide secure grip even when wearing formal gloves. 
The domed lids required particular skill to create, with craftsmen carefully 
calculating the curve to ensure perfect proportions and visual harmony with the 
base. The most sophisticated examples included features like internal racks to 
keep delicate foods separated or removable strainers for serving clear soups - 
all seamlessly integrated into designs that maintained their classical purity.
Puiforcat's mastery of surface decoration set its Louis XVI style tureens apart 
from competitors. While adhering to the restraint characteristic of the style, 
the firm's craftsmen employed subtle textural variations to create visual 
interest. Fluted surfaces might alternate between matte and polished finishes to 
accentuate the play of light. Gilding was applied with precision to highlight 
delicate beading or classical motifs like Greek keys and laurel wreaths. The 
finials, often shaped as urns, pineapples (traditional symbols of hospitality), 
or floral bouquets, were executed with botanical accuracy that reflected 
Puiforcat's commitment to perfection in even the smallest details. This careful 
balance of ornament and restraint resulted in pieces that commanded attention 
through refinement rather than ostentation, perfectly embodying the Louis XVI 
style's essential character.
Innovative Production 
Methods: 
The workshop methods that produced these 
masterpieces reflected a tradition of craftsmanship that Puiforcat maintained 
throughout its history. Each tureen was the product of numerous specialists - 
silversmiths for forming the body, chasers for decorative work, gilders for 
interior surfaces, and finishers who ensured perfect polish and assembly. 
Apprenticeships lasted seven years, during which young craftsmen would learn 
every aspect of their specialty before being allowed to work on production 
pieces. Quality control was exacting, with each piece undergoing multiple 
inspections at different stages of production. The firm maintained rigorous 
standards for weight, balance, and finish, rejecting any piece that failed to 
meet its criteria regardless of the labor already invested.
The Legacy of Puiforcat: 
The cultural significance of Puiforcat's 
Louis XVI style tureens extends beyond their material value. In 19th century 
France, where political regimes rose and fell with regularity, these classically 
inspired pieces represented continuity with an imagined golden age of French 
taste and refinement. For aristocratic families, they served as tangible 
connections to pre-Revolutionary traditions, while for the newly wealthy 
bourgeoisie they represented an opportunity to align themselves with enduring 
cultural values. The tureens frequently appeared in still-life paintings and 
interior scenes of the period, testifying to their status as symbols of refined 
living. Their presence on dining tables conveyed messages about the host's 
taste, wealth, and cultural literacy - a form of social communication as potent 
as it was subtle.
Today, Puiforcat's Louis XVI style tureens are prized by collectors and 
institutions alike. Major museums including the Musée des Arts Décoratifs in 
Paris and the Metropolitan Museum of Art in New York include examples in their 
collections, recognizing them as exemplars of French neoclassical design. The 
market for these pieces remains strong, with well-preserved examples commanding 
significant prices at auction. A pair of Puiforcat tureens from the collection 
of the Duke of Westminster sold at Sotheby's in 2015 for over $250,000, 
demonstrating the enduring appeal of these masterpieces of silversmithing. The 
firm's association with Hermès has introduced its work to new generations of 
collectors, ensuring that Puiforcat's legacy continues to evolve while remaining 
rooted in its tradition of excellence.
Item Specifications:  
 This magnificent 4pc. covered vegetable 
sever has been meticulously restored to "LIKE NEW" condition. The 4 pieces 
together weight a massive 5,117 grams. The Platter measures approximately 45cm. 
in length, is roughly 34cm. across at its widest point and weights 1,786 grams. 
The covered tureen is approximately 19cm. high to the top of the lid, 34cm. in 
length, 22cm. across at its widest point and weights 3,331 grams. Each piece in 
the set, except for the removable insert which is silver plated, is stamped with 
the French Government’s Head of the Minerva 1 hallmark, certifying a minimum of 
950 sterling silver in addition to the Emile Puiforcat sterling silver 
manufacturer's hallmark. The tureen and the platter are also stamped "Puiforcat 
Paris" on the underside.  
  
  
  
  
  
  
  
  
  
    
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